Analisis Akord Substitusi dan Tensi Akord dalam Lagu Pure Imagination Aransemen Miguel Granada
Keywords:
Substitusi akord, Tensi harmonik, Reharmonisasi, Harmoni jazz, Pure Imagination, Miguel GranadaAbstract
Penelitian ini bertujuan untuk menganalisis bentuk substitusi akord, karakteristik tensi harmonik, serta hubungan antara substitusi akord dan pembentukan alur tensi–resolusi dalam aransemen Pure Imagination karya Leslie Bricusse dan Anthony Newley oleh Miguel Granada. Penelitian menggunakan pendekatan kualitatif dengan metode deskriptif-analitis. Data primer berupa partitur atau transkripsi aransemen Granada, sedangkan data sekunder diperoleh dari literatur mengenai harmoni jazz, substitusi akord, reharmonisasi, konsonansi-disonansi, dan tensi musikal. Analisis dilakukan melalui identifikasi progresi akord, klasifikasi teknik substitusi, analisis tensi berdasarkan disonansi, tonal distance, voice leading, hierarchical tension, fungsi harmonik, dan kecenderungan resolusi, serta interpretasi hubungan tensi dan resolusi. Hasil penelitian menunjukkan 68 penggunaan substitusi harmonik yang terdiri atas Chord Enrichment (15), Common Tone Substitution (12), Chromatic Chord Enrichment (11), Modal Interchange (9), Secondary Dominant (8), Tritone Substitution (7), dan Diminished Substitution (6). Chord Enrichment dan Common Tone Substitution terutama berfungsi memperkaya warna sonoritas dengan mempertahankan kontinuitas tonal, sedangkan Chromatic Enrichment, Secondary Dominant, Tritone Substitution, Diminished Substitution, dan Modal Interchange meningkatkan kompleksitas serta tensi harmonik. Pemetaan tensi memperlihatkan pola 2–3–4–5–2, yaitu peningkatan dari Intro menuju Development sebagai puncak tensi, kemudian kembali menuju stabilitas pada Resolution. Temuan ini menunjukkan bahwa substitusi akord dalam aransemen Granada berfungsi sebagai strategi pengelolaan warna harmonik, ekspektasi, tensi, voice leading, dan resolusi musikal secara terpadu.
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