Fungsi dan Dampak Permainan Drumset dalam Peribadatan di GPDI Pakuure Satu, Minahasa Selatan
Keywords:
Drumset, Musik gereja, Ibadah Pentakosta, Koordinasi musikal, Keterlibatan jemaat, GPDIAbstract
Penelitian ini bertujuan menganalisis fungsi dan dampak permainan drumset dalam pelayanan ibadah di GPDI Pakuure Satu, Minahasa Selatan, dengan fokus pada organisasi ritmis, koordinasi ansambel, dinamika musikal, transisi lagu, keterlibatan jemaat, dan pembentukan suasana ibadah. Penelitian menggunakan metode kualitatif deskriptif yang dilaksanakan pada Januari–Februari 2026. Data diperoleh melalui wawancara, observasi, studi pustaka, studi media, dan dokumentasi dengan melibatkan gembala sidang, sekretaris jemaat, pemain musik, singers, worship leader, dan jemaat sebagai informan. Data dianalisis secara induktif melalui analisis tematik dan keabsahan data diperiksa menggunakan triangulasi sumber dan teknik. Hasil penelitian menunjukkan bahwa drumset memiliki fungsi pragmatis sebagai pengatur tempo, pengarah dinamika, penanda perpindahan bagian lagu, dan penguat koordinasi antarpemain. Secara estetis, drumset memperkaya tekstur musikal melalui groove, aksentuasi, fill, dinamika, dan variasi style, seperti country atau mars, reggae, funk, disco, swing, blues, ballad worship, dan rock worship. Permainan drumset juga berkontribusi terhadap keterlibatan jemaat melalui respons bernyanyi, tepuk tangan, gerakan tubuh, angkat tangan, dan respons verbal. Perbandingan ibadah dengan dan tanpa drumset menunjukkan bahwa ketiadaan drumset cenderung membatasi variasi ritmis, dinamika, dan fleksibilitas koordinasi musikal, meskipun tidak mengurangi keberlangsungan ibadah. Penelitian menyimpulkan bahwa drumset merupakan bagian dari sistem musikal, sosial, dan ritual yang mendukung keteraturan, ekspresivitas, koordinasi, dan keterlibatan jemaat dalam pengalaman ibadah.
References
Ajose, T. S. (2025). Liturgical traditions and transitions: Congregational hymn singing in Nigerian Pentecostal churches. Journal of the Association of Nigerian Musicologists, 19(1), 138–160. https://doi.org/10.4314/janm.v19i1.9
Allums, T. (2025). Perceptions of congregational engagement in evangelical church worship programs [Doctoral dissertation, Liberty University]. Liberty University Digital Commons. https://digitalcommons.liberty.edu/doctoral/7006
Bemey, F. P. (2026). Beyond liturgical accompaniment: Church music and congregational formation in Indonesian Pentecostalism. Ars Sacra: Journal of Arts and Religion, 1(1), 73–98. https://doi.org/10.15575/arssacra.3094
Blacking, J. (1973). How musical is man? University of Washington Press.
Bullack, A., Büdenbender, N., Roden, I., & Kreutz, G. (2018). Psychophysiological responses to “happy” and “sad” music: A replication study. Music Perception, 35(4), 502–517. https://doi.org/10.1525/mp.2018.35.4.502DeJonckheere, M., & Vaughn, L. M. (2019). Semistructured interviewing in primary care research: A balance of relationship and rigour. Family Medicine and Community Health, 7(2), e000057. https://doi.org/10.1136/fmch-2018-000057
Jacoby, N., Polak, R., & London, J. (2021). Extreme precision in rhythmic interaction is enabled by role-optimized sensorimotor coupling: Analysis and modelling of West African drum ensemble music. Philosophical Transactions of the Royal Society B: Biological Sciences, 376(1835), 20200331. https://doi.org/10.1098/rstb.2020.0331
Juslin, P. N. (2021). Mind the gap: The mediating role of emotion mechanisms in social bonding through musical activities. Behavioral and Brain Sciences, 44, e80. https://doi.org/10.1017/S0140525X2000120X
Kiger, M. E., & Varpio, L. (2020). Thematic analysis of qualitative data: AMEE Guide No. 131. Medical Teacher, 42(8), 846–854. https://doi.org/10.1080/0142159X.2020.1755030
Kim, H., Sefcik, J. S., & Bradway, C. (2017). Characteristics of qualitative descriptive studies: A systematic review. Research in Nursing & Health, 40(1), 23–42. https://doi.org/10.1002/nur.21768
Koelsch, S., Cheung, V. K. M., Jentschke, S., & Haynes, J.-D. (2021). Neocortical substrates of feelings evoked with music in the ACC, insula, and somatosensory cortex. Scientific Reports, 11, 10119. https://doi.org/10.1038/s41598-021-89405-y
Levitin, D. J. (2006). This is your brain on music: The science of a human obsession. Dutton.
Liebermann-Jordanidis, H., Novembre, G., Koch, I., & Keller, P. E. (2021). Simultaneous self-other integration and segregation support real-time interpersonal coordination in a musical joint action task. Acta Psychologica, 218, 103348. https://doi.org/10.1016/j.actpsy.2021.103348
London, J. (2012). Hearing in time: Psychological aspects of musical meter (2nd ed.). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199744374.001.0001
Merriam, A. P. (1964). The anthropology of music. Northwestern University Press.
Meyer, L. B. (1956). Emotion and meaning in music. University of Chicago Press.
Nugrahhu, P. A., Sulistyowati, R., Utami, N. N. A., & Ernest, J. (2023). Striving for musical excellence: A study on the development of music players' skills for church worship accompaniment through ensemble training. Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, 18(1), 28–38. https://doi.org/10.33153/dewaruci.v18i1.4456
Puay, R. S., Lam, B., Mitchell, A., & Chieng, J. (2025). Soundscape and worship experience of contemporary worship music: A case study in Malaysia. The Journal of the Acoustical Society of America, 157(6), 4397–4410. https://doi.org/10.1121/10.0036661
Sanggor, H. B. M., Pulukadang, M. A., Karlan, L., Semiaji, T., & Ohi, R. (2026). Ekspresi spiritualitas dalam musik liturgi Gereja Pantekosta. Jurnal Riset Rumpun Seni, Desain dan Media, 5(1), 98–111. https://doi.org/10.55606/jurrsendem.v5i1.8136
Schiavio, A., Maes, P.-J., & van der Schyff, D. (2021). The dynamics of musical participation. Psychology of Music, 49(3), 604–626. https://doi.org/10.1177/1029864920988319
Small, C. (1998). Musicking: The meanings of performing and listening. Wesleyan University Press.
Thornton, D. (2023). “This is no performance”: Exploring the complicated relationship between the church and contemporary congregational songs. Religions, 14(5), 578. https://doi.org/10.3390/rel14050578
Vuoskoski, J. K., & Eerola, T. (2017). The pleasure evoked by sad music is mediated by feelings of being moved. Frontiers in Psychology, 8, 439. https://doi.org/10.3389/fpsyg.2017.00439
Zatorre, R. J. (2023). From perception to pleasure: The neuroscience of music and why we love it. Oxford University Press. https://doi.org/10.1093/oso/9780197558287.001.0001
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Keren Kenny Kent Keintjem, R. A. Dinar Sri Hartati, Widyata Sarayar
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
